Kingdom III: The Flame of Destiny
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Kingdom III: The Flame of Destiny

2023 2h 9m ★ 7.5 (134 votes) Released

To defend their kingdom against a sudden invasion, a mighty general returns to the battlefield alongside a war orphan, now grown up, who dreams of glory.

Director

Shinsuke Sato

Screenplay

Tsutomu Kuroiwa

Screenplay

Hara Yasuhisa

Rating
7.5
Runtime
129 min
Revenue
$36.3M

Production

TOHO TOHO
Sony Pictures International Productions Sony Pictures International Productions
Sony Pictures Sony Pictures
Nippon Television Network Corporation Nippon Television Network Corporation
CREDEUS CREDEUS
Shueisha Shueisha
Yomiuri Telecasting Corporation Yomiuri Telecasting Corporation
GYAO GYAO
jeki jeki
Tokyu Agency Tokyu Agency
Hakuhodo Hakuhodo
Pierrot Pierrot
Sapporo Television Broadcasting Company Sapporo Television Broadcasting Company
Miyagi Television Broadcasting Miyagi Television Broadcasting
Shizuoka Daiichi Television Shizuoka Daiichi Television
Chukyo TV Broadcasting Company Chukyo TV Broadcasting Company
Hiroshima Telecasting Hiroshima Telecasting
Fukuoka Broadcasting System Fukuoka Broadcasting System

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Audience Reviews

A
Alunauwie
★ 8/10 Aug 31, 2025

Kingdom 3: The Flame of Destiny (2023) continues the story from the first two films but shifts focus, dedicating much of the runtime to Eisei’s past rather than Shin’s development. While the foundation of the story is strong, this choice causes some confusion about the main character’s role, and Shin’s six months of training are noticeably absent. This impacts the film’s pacing and weakens the connection viewers might have with Shin as the protagonist. The conflicts involve Qin’s limited forces strategizing to defeat Zhao, but the battles feel less intense compared to earlier films. The tension fluctuates due to frequent dialogue and slower scenes interrupting fight sequences, partly because Shin’s character has become more strategic and calm as a commander. The movie ends with an open conclusion, introducing a new antagonist and setting the stage for future conflict. Performances remain solid, especially Takao Osawa as Ouki, whose unique yet authoritative presence stands out. However, Kento Yamazaki’s portrayal of Shin lacks consistency, with the character’s emotional intensity and “badass” aura fading unpredictably. Technically, the film delivers satisfactory visuals and sound, though some scenes—like a background shot from a hilltop—feel noticeably artificial. Overall, the film remains worth watching for fans interested in the ongoing story. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)

Keywords

based on mangaepic battlewarring states periodancient china

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